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What each streaming service has up its sleeve in 2023

Major streaming services have upped their game in 2022 with the launch of ad-supported tiers, new live sports deals, hugely successful original series and more. As the streaming wars continue to heat up, media companies have no choice but to raise the stakes. From the HBO Max/Discovery+ merged streaming service to Netflix’s password-sharing offering, here’s what SVOD (subscription video-on-demand) streaming services have planned for next year and beyond.
What HBO Max/Discovery+ is planning for 2023
Earlier this year, Discovery acquired WarnerMedia to form Warner Bros. Discovery (WBD), becoming one of the biggest media companies in the United States.
As TechCrunch has reported many times, HBO Max and Discovery+ are combining in 2023. This spring, WBD will launch a merged streaming service that pairs HBO originals and Warner Bros. films with Discovery+’s content library of unscripted shows, documentaries and more. In total, subscribers will have access to nearly 200,000 hours of programming and over 100 brands, such as CNN, TBS, TNT, TruTV, Cartoon Network/Adult Swim, Food Network, TLC, HGTV, ID, Animal Planet and many others.
The streaming service will reportedly be called just “Max,” and will make its debut in the U.S. before launching in Latin America and then in Europe in 2024. While there will be an ad-free and ad-supported option, its ad-free offering will likely cost more than what subscribers pay now for HBO Max’s premium plan, which is $14.99/month.
“Max,” or whatever the company decides to call it, will be a major contender in the streaming wars. HBO, HBO Max and Discovery+ ended Q3 2022 with a combined total of 94.9 million global subscribers.
WBD is also busy planning a free ad-supported streaming (FAST) service to keep up with competitors in the FAST market, including Peacock, Pluto TV, Tubi and Amazon Freevee, among others.
Recently, the company pulled over a dozen HBO originals from HBO Max that will soon move to third-party streaming services. This includes “Westworld,” “The Nevers,” “Raised by Wolves,” “The Time Traveler’s Wife,” “Love Life,” “Made for Love,” “Minx,” “Finding Magic Mike,” “Head of the Class,” “FBOY Island,” “Legendary,” “Gordita Chronicles” and “The Garcias.”
We predict that once WBD launches its FAST offering, it will offer these titles.

Combined HBO Max/Discovery+ service gets an earlier launch date, price hike is to be expected

What Netflix is planning for 2023
Netflix had an eventful 2022. The company launched its $6.99/month ad-supported tier, giving consumers the ability to save a few bucks on their streaming habits. The move validates a common trend in the industry right now — ad-supported video-on-demand (AVOD) is in. In 2023, Netflix’s “Basic with Ads” plan is predicted to have 7.5 million domestic subscribers, according to J.P. Morgan analyst Doug Anmuth.
Netflix’s subscriber base also rebounded in Q3 2022 after increasing by 2.41 million subscribers, bringing the total to 223.09 million. The company previously experienced two bleak quarters, losing a total of 1.2 million global subscribers.
As far as we know, the streamer has three notable projects in the works for 2023 and beyond.
In early 2023, Netflix will launch an “Extra Members” feature to monetize password sharing. The feature will prompt account members to pay an extra fee to add a sub-account for people sharing the streaming service.
The company has already launched a “Profile Transfer” feature, which lets a member on an existing account transfer their profile to a brand-new account and a “Manage Access and Devices” feature, which allows account owners to remotely log out of devices they don’t want to be signed in to the account.
Also coming to the streaming service next year is a livestreaming capability, with Chris Rock to be the first to test the offering for his upcoming comedy special. Live content could help the streamer attract new subs.
Unfortunately, Netflix is not planning to launch a live sports offering. During the UBS Global TMT Conference, Netflix co-CEO Ted Sarandos said, “We’ve not seen a profit path to renting big sports.”
Beyond next year, the company is continuing its investment into gaming. At TechCrunch Disrupt 2022, Netflix VP of Gaming Mike Verdu revealed that a cloud gaming offering is on the horizon. This is a smart move for Netflix as the global cloud gaming market had $1.6 billion in revenue in 2021.
Similarly, there’s a possibility that Netflix will get into PC gaming since it’s looking to hire a game director who’ll be in charge of launching a AAA PC game.
Netflix’s mobile gaming library continues to expand. Entering 2023, Netflix will have launched 50 mobile games so far.

Netflix to expand into cloud gaming, opens new studio in Southern California

What Disney+ is planning for 2023
Looking back on 2022, Disney+ experienced a lot of major changes, including the launch of its ad-supported tier as well as the unexpected return of Bob Iger as CEO.
The “Disney+ Basic” plan is $7.99/month and was launched in order to give Disney+ more subscribers. The company wants to reach 230-260 million Disney+ subscribers by 2024. In the fourth quarter of 2022, Disney+ reported 164.2 million global subscribers in total.
However, there is one major issue with the ad launch: Disney+ Basic is unavailable on Roku devices. TechCrunch estimates that Disney and Roku will reach an agreement to change that sometime in late 2023 — but that’s just a guess.
Alongside Disney+’s new subscription plan, the streamer introduced changes to the Disney Bundle as well as a price hike to its ad-free plan.
In November 2022, Bob Chapek stepped down as CEO of Disney and was replaced by Bob Iger, the former CEO, who had only vacated the spot in 2021. Hopefully, Iger can help the company achieve profitability by its fiscal 2024. In Q4 2022, when Chapek was still CEO, Disney’s direct-to-consumer division lost $1.5 billion in revenue.
In 2023, Disney+ is planning an international expansion to 30 additional countries, which would bring the total to over 160 countries. Over the summer, the streamer launched in 42 countries and 11 territories.
Also, beginning next year, Disney+ will be the exclusive international home for new “Doctor Who” episodes.
One significant feature coming to the streaming service is an exclusive shopping experience for Disney+ subscribers. The online shop, which is currently in the testing phase, offers users merchandise from Disney-owned brands, such as Star Wars, Marvel, Disney Animation Studios and Pixar. The company is also reportedly exploring the idea of a membership program similar to Amazon Prime. There are no official launch dates for either feature.

Disney+ launches its ad-supported tier to compete with Netflix

What Hulu is planning for 2023
Not much happened for the Disney-owned streaming service Hulu this year, apart from annoying price increases and losing titles to rival Peacock. The streamer did however reach a milestone of 58 Emmy nominations. Hulu is also beginning 2023 with 47.2 million subscribers.
If you’ve been following the Disney/Comcast spectacle, then you know that Disney is expected to buy Comcast’s stake in Hulu by the end of 2024. Comcast owns 33%, whereas Disney owns 66%. However, when Chapek was still CEO, he alluded in a Variety interview that Disney could buy the rights sooner than that — perhaps in 2023. This depends on if Comcast “is willing to have discussions that would bring that to fruition earlier,” Chapek said.
Whenever Disney ends up buying Comcast’s stake in Hulu — either by 2023 or 2024 — the company may be planning on merging Hulu with Disney+ and ESPN+. “You know the term soft bundle and hard bundle, right? Soft bundle is, hey, buy all three services for the low price of X. The hard bundle is when things become seamless and without friction. Right now, if you want to go from Hulu to ESPN+ to Disney+, you have to go out of one app to another app. In the future, we may have less friction,” Chapek told Variety.
If Disney+, Hulu and ESPN+ were to live inside one platform, many subscribers who already have the Disney Bundle would be overjoyed. While it most likely won’t be a full integration like HBO Max and Discovery+, it will still be an amalgamation of epic proportions. Disney+, Hulu and ESPN+ have a combined total of 235.7 million subscribers.

Hulu raises its subscription prices today

What Amazon Prime Video is planning for 2023
Prime Video had a successful 2022, becoming the exclusive home of the NFL’s “Thursday Night Football,” which had its first game watched by 15.3 million viewers, and its “The Lord of the Rings” spinoff was the most-watched series with over 100 million viewers worldwide. “The Lord of the Rings: The Rings of Power” is confirmed for a second season.
It’s fair to say that Amazon is heavily investing in content and will continue doing so for the next few years. For instance, the streaming service keeps putting money toward live sports. In 2023, the company will be the home of an exclusive NFL Black Friday game, the first Black Friday game for the league.
Amazon may also take a gamble with theatrical movies, according to Bloomberg. The publication wrote that Amazon might begin spending more than $1 billion a year to produce 12 to 15 films that will premiere in theaters before they make their debut on the streaming service. This would be a notable yet expensive gamble for the company, as it has yet to invest this much into original movies.
The streamer has various original series in the pipeline, including the greenlit limited series “Blade Runner 2099,” a “God of War” live-action series and even at least one “Warhammer 40,000” title that will have “Man of Steel” actor Henry Cavill as the lead.
Speaking of DC actors, Amazon is in the process of closing a deal with Warner Bros. to develop animated DC series for Prime Video. At the Content London conference, the Chairman of Warner Bros. Television Group, Channing Dungey, said, “We are in the process of closing a big deal with Amazon that’s going to feature some of our DC branded content in animation.” For HBO Max to share IP, especially DC content, is extremely notable and will likely boost subscription growth for Prime Video.

Amazon acquires film/TV rights to ‘Warhammer 40,000′ IP

As more SVOD streaming services shift to AVOD, we wouldn’t be surprised if Prime Video considers launching a cheaper ad-supported tier. It’s possible that such an offering would pay off big for Amazon. It’s estimated that Netflix will see $600 million in advertising sales in 2023 alone.
The move makes sense for Amazon as it already has an ad-supported service, Freevee. Amazon Prime Video is also testing an ad format called virtual product placement, which the company announced in May.

Amazon Prime Video’s ‘Thursday Night Football’ starts strong with 15.3 million viewers

What Apple TV+ is planning for 2023
Apple TV+ announced its first foray into live sports this year. We suspect Apple TV+ will keep up with the trend in 2023.
In March 2022, Apple TV+ closed its first live sports deal with Major League Baseball, bringing fans “Friday Night Baseball” games as well as a live show “MLB Big Inning.” The company is launching its subscription service for Major League Soccer fans, “MLS Season Pass” in February 2023.
Like Amazon, rival Apple TV+ would benefit greatly from an ad-supported tier. Apple TV+ recently increased its subscription price to $6.99/month or $69/year.

Apple to launch ‘MLS Season Pass’ subscription on February 1

What Paramount+ is planning for 2023
Paramount+ is ending 2022 with 46 million global subscribers, which was mainly driven by the new partnership with Walmart+, which has a reported 16 million subscribers, as well as offering its premium subscription on The Roku Channel and YouTube. More recently, Paramount+ reported a record number of subscriber sign-ups in November when it premiered its latest hit series “Tulsa King,” starring Sylvester Stallone.
Looking ahead, Paramount+ plans to reach 100 million subs by 2024 and increase streaming content spending to $6 billion, up from $2 billion in 2022. It also has plans to expand international growth, which includes 150 international original titles by 2025.
With the release of high-budget films like “Top Gun: Maverick” and Paramount+ continuing to rely on popular IP, the streamer will likely achieve substantial subscriber growth in 2023. Plus, Paramount+ recently launched an in-app Showtime bundle, giving subscribers access to more content.
That being said, a merger between Paramount+ and Showtime is likely imminent. During Goldman Sachs’ Communacopia + Technology Conference, CEO of Paramount Global, Bob Bakish, confirmed that talks of a merger had taken place internally. While a decision hasn’t been made yet, integrating Showtime into Paramount+ would be the best move for the company.
A price increase is also in the future plans for Paramount+. During the company’s third-quarter earnings call, Paramount Global Executive Vice President and CFO, Naveen Chopra, said that “opportunities to increase price on Paramount+” is to be expected.

Paramount+ offers US subscribers in-app Showtime bundle

What Peacock is planning for 2023
Peacock had a big win in 2022 as it doubled its number of paid subscribers to 18 million this year alone. This was mainly thanks to NBC and Bravo next-day episodes that it pulled from Hulu earlier this year. Peacock was also the Spanish-language streaming home for all World Cup games.
In terms of other content coming to the streaming service in 2023, Peacock will premiere the “John Wick” prequel series, “The Continental,” as well as original series like “Poker Face,” starring “Russian Doll” star Natasha Lyonne. The streamer also recently announced its first original adult animation series, “In the Know,” which will feature “Beavis and Butt-Head” creator Mike Judge and “Silicon Valley” actor Zach Woods.
Beginning in 2023, Peacock will be the exclusive streaming partner of JetBlue, marking a notable deal that will broaden its service to more subscribers.
While things are looking up for Peacock next year, some non-paying subscribers might be very disappointed in the next 12 months or later. NBCUniversal CEO Jeff Shell stated that “at some point” the company wants to convert Xfinity users to paid subscribers of Peacock. This means customers of Comcast’s Xfinity cable and internet services might not be able to get the streaming service as a free perk anymore. However, this move would make sense for Peacock since 30 million monthly active users can access the streaming service at no additional cost.

Peacock adds live TV from all local NBC stations to its Premium Plus tier

What each streaming service has up its sleeve in 2023 by Lauren Forristal originally published on TechCrunch
What each streaming service has up its sleeve in 2023

Camera maker Canon leans into software at CES

Depending on whether you spend most of your time in hospitals, offices or in the great outdoors, when you hear “Canon,” your mind will likely go to medical scanning equipment, high-end printers or cameras. At CES this year, the 85-year-old company is leaning in a new direction, with an interesting focus on software applications.
At the show, the imaging giant showed off a direction it has been hinting at before, but this time relying far less on its own hardware, and more on the software the company has developed, in part as a response to the COVID-19 pandemic casting a shadow over people’s ability to connect. To the chorus of “meaningful communication” and “powerful collaboration,” the Japanese imaging giant appears to be plotting out a new course for what’s next.

I guess you can (officially) use your fancy Canon camera as a webcam studio now

“Canon is creating ground-breaking solutions that help people connect in more ways than we ever could have imagined, redefining how they work and live at a time when many of them are embracing a hybrid lifestyle,» said Kazuto Ogawa, president and CEO, Canon U.S.A., Inc, in a press briefing at CES 2023. “Canon’s ultimate role is to bring people closer together by revealing endless opportunities for creators. Under our theme of ‘Limitless Is More,’ we will show CES 2023 attendees what we are creating as a company focused on innovation and a world without limits.”
Among other things, Canon showed off a somewhat gimmicky immersive experience tied in with M. Night Shyamalan’s upcoming thriller movie, “Knock at the Cabin.” The very Shyamalanesque movie trailer will give you a taster of the vibe. At the heart of things, however, Canon is tapping into a base desire in humanity; to feel connected to one another. The company is desperate to show off how its solutions can “remove the limits humanity faces to create more meaningful communication,” through four technologies it is showing off at the trade show this year.
Canon U.S.A. CEO Kevin Ogawa on stage at CES 2023 along with M. Night Shyamalan. Image Credits: Haje Kamps/TechCrunch
3D calling: Kokomo
The flagship solution Canon is showing off is Kokomo, which the company describes as a first-of-its-kind immersive VR software package. It is designed to combine VR with an immersive calling experience. The solution is pretty elegant: Using a VR headset and a smartphone, the Kokomo software enables users to see and hear one another in real time with their live appearance and expression in a photo-real environment.
The Kokomo solution brings 3D video calling to a home near you. Image Credits: Canon
In effect, the software package scans your face to learn what you look like, then turns you into a photo-realistic avatar. The person you are in a call with can see you — sans VR headset — showing your physical appearance and facial expressions. The effect is to experience a 3D video call. At the show, Canon is demoing the tech by letting visitors step into a 1×1 conversation with the “Knock at the Cabin” characters.
We spoke with the team behind Kokomo to figure out how the project came about, why Canon is dipping its toe in standalone software, what the future of this technology is, and how it is going to make money.

With Kokomo VR meeting software, Canon takes a step away from its hardware roots

Realtime 3D video: Free Viewpoint
Aimed at the sports market, Free Viewpoint is a solution that combines more than 100 high-end cameras with a cloud-based solution that makes it possible to move a virtual camera to any location. The software takes all the video feeds, creating a point-cloud-based 3D model that enables a virtual camera operator to create a number of angles that would otherwise have been impossible: Drone-like replay footage, swooping into the action, for example, or detailed in-the-thick-of-things-type footage, enabling viewers to see plays from the virtual perspective of one of the players.
In the U.S., the system has already been installed at two NBA arenas (including at the home of the Cavaliers and the Nets). The video can be broadcast live or compiled into replay clips. Canon also points out that the system enables “virtual advertising and other opportunities for monetization,” so I suppose we have that to look forward to as well.

Canon takes tentative step towards eliminating photographers with robotic PICK camera

Returning to the “Knock at the Cabin” theme, at CES, Canon showed off a virtual action scene captured with the Free Viewpoint video system, captured at Canon’s Volumetric Video Studio in Kawasaki, Japan. The effect of watching an action scene “through the eyes” of various characters was a wonderfully immersive experience.
Augmented reality tech: MREAL
Canon also showed off some earlier-stage tech that isn’t quite ready for prime-time viewing yet, including MREAL. This is tech that helps integrated simulation-like immersive worlds, merging the real and the virtual worlds. Use cases might include pre-visualization for movies, training scenarios and interactive mixed-reality entertainment. The company tells TechCrunch that the technology is in the market research phase.
The company is trying to figure out what to develop further and how to market the product. In other words: Who would use this, what would they use it for and what would they be willing to pay for it.

Augmented reality’s half-decade of stagnation

Remote presence: AMLOS
Activate My Line of Sight (AMLOS) is what Canon is calling its solution for hybrid meeting environments, where some participants are in person, while others are off-site. If you’ve ever been in a meeting in that configuration, you’ll often find that attending remotely is a deeply frustrating experience, as the in-person meeting participants are engaging with each other while the remote attendees are off on a screen somewhere.
Canon hopes that AMLOS can help solve that; it’s a software-and-camera set of products aiming to improve the level of engagement. It adds panning, tilting and zooming capabilities to remote camera systems, giving remote users the ability to customize their viewing and participation experience. So far, the solution is not quite intuitive enough to overcome the barrier of not being in the room, but it’s certainly better than being a disembodied wall of heads on a screen.

Camera maker Canon leans into software at CES by Haje Jan Kamps originally published on TechCrunch
Camera maker Canon leans into software at CES

Bob Iger is returning to head Disney as Bob Chapek steps down

The Walt Disney Co. said today that Bob Iger is returning to head the company as Bob Chapek is stepping down from the CEO post. Iger, who officially left the company last year, is set to take the command immediately. The company said that he will serve as the CEO for two years.
“We thank Bob Chapek for his service to Disney over his long career, including navigating the company through the unprecedented challenges of the pandemic. The Board has concluded that as Disney embarks on an increasingly complex period of industry transformation, Bob Iger is uniquely situated to lead the Company through this pivotal period,”  Chairman of the Board Susan Arnold said in a letter.
“Mr. Iger has the deep respect of Disney’s senior leadership team, most of whom he worked closely with until his departure as executive chairman 11 months ago, and he is greatly admired by Disney employees worldwide–all of which will allow for a seamless transition of leadership.”
The company said that there is no change in the board and Arnold will continue to serve as a chairman.
Iger served as Disney’s CEO from 2005 to 2020 for 15 years before deciding to step down and hand over the reins to Chapek. Notably, Chapek signed a three-year extension contract with the company in June.
On his return, Iger said that optimistic about Disney’s future and was thrilled to return to the company.
“Disney and its incomparable brands and franchises hold a special place in the hearts of so many people around the globe—most especially in the hearts of our employees, whose dedication to this company and its mission is an inspiration. I am deeply honored to be asked to again lead this remarkable team, with a clear mission focused on creative excellence to inspire generations through unrivaled, bold storytelling,” he said in a statement.
In his previous stint, Iger oversaw major acquisitions like Pixar, Marvel, and 21st Century Fox. The returning CEO also sent an email to the Disney Staff including cast members saying they’ll hear more about this move from the leadership “tomorrow and in coming weeks.”

Email from Bob Iger to Disney staff, 7:19 p.m. pic.twitter.com/IiTQvBYYZp
— The Ankler (@TheAnkler) November 21, 2022

Chapek’s 11-month tenure hadn’t been great for the company as its stock value has dropped by more than 40% at the time of writing. He was also criticized for not taking an active stance to oppose Florida’s anti-gay bill. Under his management, the company fired senior content executive Peter Rice and passed up an opportunity to get digital rights for streaming the Indian Premier League Cricket tournament.
The company registered a revenue of $20.2 billion in Q3 2022 and missed analyst expectations by nearly $1 billion. At that time, Disney’s CFO Christine McCarthy said that the entertainment company aims to achieve profitability by the fiscal year 2024. The company adjusted its target of global Disney+ subscribers by 2024 from 230-260 million to 215-245 million.
Bob Iger is returning to head Disney as Bob Chapek steps down by Ivan Mehta originally published on TechCrunch
Bob Iger is returning to head Disney as Bob Chapek steps down

Deep Render believes AI holds the key to more efficient video compression

Chri Besenbruch, CEO of Deep Render, sees many problems with the way video compression standards are developed today. He thinks they aren’t advancing quickly enough, bemoans the fact that they’re plagued with legal uncertainty and decries their reliance on specialized hardware for acceleration.
“The codec development process is broken,” Besenbruch said in an interview with TechCrunch ahead of Disrupt, where Deep Render is participating in the Disrupt Battlefield 200. “In the compression industry, there is a significant challenge of finding a new way forward and searching for new innovations.”
Seeking a better way, Besenbruch co-founded Deep Render with Arsalan Zafar, whom he met at Imperial College London. At the time, Besenbruch was studying computer science and machine learning. He and Zafar collaborated on a research project involving distributing terabytes of video across a network, during which they say they experienced the shortcomings of compression technology firsthand.
The last time TechCrunch covered Deep Render, the startup had just closed a £1.6 million seed round ($1.81 million) led by Pentech Ventures with participation from Speedinvest. In the roughly two years since then, Deep Render has raised an additional several million dollars from existing investors, bringing its total raised to $5.7 million.
“We thought to ourselves, if the internet pipes are difficult to extend, the only thing we can do is make the data that flows through the pipes smaller,” Besenbruch said. “Hence, we decided to fuse machine learning and AI and compression technology to develop a fundamentally new way of compression data getting significantly better image and video compression ratios.”
Deep Render isn’t the first to apply AI to video compression. Alphabet’s DeepMind adapted a machine learning algorithm originally developed to play board games to the problem of compressing YouTube videos, leading to a 4% reduction in the amount of data the video-sharing service needs to stream to users. Elsewhere, there’s startup WaveOne, which claims its machine learning-based video codec outperforms all existing standards across popular quality metrics.
But Deep Render’s solution is platform-agnostic. To create it, Besenbruch says that the company compiled a dataset of over 10 million video sequences on which they trained algorithms to learn to compress video data efficiently. Deep Render used a combination of on-premise and cloud hardware for the training, with the former comprising over a hundred GPUs.
Deep Render claims the resulting compression standard is 5x better than HEVC, a widely used codec and can run in real time on mobile devices with a dedicated AI accelerator chip (e.g., the Apple Neural Engine in modern iPhones). Besenbruch says the company is in talks with three large tech firms — all with market caps over $300 billion — about paid pilots, though he declined to share names.
Eddie Anderson, a founding partner at Pentech and board member at Deep Render, shared via email: “Deep Render’s machine learning approach to codecs completely disrupts an established market. Not only is it a software route to market, but their [compression] performance is significantly better than the current state of the art. As bandwidth demands continue to increase, their solution has the potential to drive vastly improved commercial performance for current media owners and distributors.”
Deep Render currently employs 20 people. By the end of 2023, Besenbruch expects that number will more than triple to 62.
Deep Render believes AI holds the key to more efficient video compression by Kyle Wiggers originally published on TechCrunch
Deep Render believes AI holds the key to more efficient video compression

Former MoviePass execs are being sued by the SEC for lying to customers

Ahead of the official relaunch of subscription-based movie ticketing service MoviePass, the Securities and Exchange Commission (SEC) filed a complaint against three of its former executives, claiming they lied to investors and the public.
The SEC filing targeted former MoviePass CEO Mitch Lowe and Ted Farnsworth, the former CEO of parent company Helios and Matheson Analytics (HMNY), claiming they lied about how it planned to be profitable and used “fraudulent tactics to prevent MoviePass’s heavy users from using the [unlimited subscription service],” the SEC wrote.
When under the rule of Lowe and Farnsworth, MoviePass promised users a $9.95 per month subscription that would give them an unlimited number of 2D movie tickets. However, MoviePass quickly kissed “unlimited” goodbye, ending the service that was likely losing a lot of money. The company filed for bankruptcy in 2020.
Last year, Farnsworth and Lowe settled with the Federal Trade Commission after MoviePass was accused of preventing users from using the subscription service they were paying for.
The original founder and owner of MoviePass, Stacy Spikes, hopefully won’t repeat the mistakes of its previous owners. Spikes is launching an updated version of MoviePass, which is currently beta testing in three markets: Chicago, Kansas City, and Dallas. However, there will be no such thing as unlimited viewing, and instead MoviePass will have three subscription price tiers with set limits ranging from $10, $20, and $30 per month.

MoviePass readies a Labor Day return

Former MoviePass execs are being sued by the SEC for lying to customers by Lauren Forristal originally published on TechCrunch
Former MoviePass execs are being sued by the SEC for lying to customers