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Senate questions Live Nation president amid Taylor Swift ticketing debacle

“May I suggest respectfully that Ticketmaster ought to look in the mirror and say, ‘I’m the problem, it’s me,’” Senator Richard Blumenthal (D-CT) said on the Senate floor Tuesday, referencing Taylor Swift’s latest hit “Anti-Hero.” In a hearing on consumer protection and competition in live entertainment, senators grilled Live Nation CFO and president Joe Berchtold over concerns that the company, which bought Ticketmaster in 2010, may be a monopoly.
In November, the “verified fan” presale for Swift’s highly anticipated Eras tour went horribly wrong. In an unprecedented move, Ticketmaster halted sales due to overwhelming demand, stating that the site experienced 3.5 billion system requests, or more than four times its previous peak, due to bot attacks. A month later, Mexican regulators fined Ticketmaster when thousands of fans were turned away from a Bad Bunny concert, despite holding tickets purchased on Ticketmaster (regulators said the company oversold tickets, but Ticketmaster said these were fake tickets).
After years of paying hidden fees and losing tickets to scalpers, fans and regulators alike have had enough. Making yet another of many Swift references, Senator Amy Klobuchar (D-MN) said that music and sports fans now understand the risks of corporate consolidation “all too well.” And as Federal Trade Commission chair Lina Khan said at the time of the Swift ticketing fiasco, the incident “converted more Gen Z’ers into antimonopolists overnight than anything I could have done.”
When the government investigated the merger of Ticketmaster and Live Nation over twelve years ago, the Justice Department reported that the combined company would control 80% of major concert venues. When questioned under oath on Tuesday, Berchtold said he believes the company actually controls around 50% to 60% of that market, due to the rise of secondary resale markets on sites like SeatGeek (whose founder and CEO, Jack Groetzinger, testified at the hearing as well). Still, Ticketmaster sells tickets for 80 of the top 100 arenas in the country, while Live Nation can sometimes operate as the promoter, owner and operator of that same venue.
The arrangement is bad for fans, who might watch as their favorite artist sells out an arena show in seconds, only for thousands of bot-purchased tickets to be immediately reposted for double the price. But it also harms the musicians.
Testifying before the Senate, independent musician Clyde Lawrence said, “In a world where the promoter and the venue are not affiliated with each other, we can trust that the promoter will look to get the best deal from the venue; however, in this case, the promoter and the venue are part of the same corporate entity, so the line items are essentially Live Nation negotiating to pay itself.” Lawrence added that artists get no cut of ticketing fees, coat checks, parking passes or bar tabs, while Live Nation takes 20% of their revenue from merch sales. If he plays a show where tickets cost $42, including fees, Lawrence said his band would get $12. After putting half of that toward touring costs, the band receives $6 per ticket in profit, which is split up among all of its members, pretax.
The Justice Department had approved this merger in 2010 with the condition of a consent decree, which was intended to prevent Live Nation and Ticketmaster from acting too much like a monopoly. But in 2019, Justice officials alleged that the company violated the agreement, since Live Nation had pressured venues to sign contracts with Ticketmaster. As a result, the decree — which was set to expire that year — was extended to remain in effect until 2025, including some modifications.
Now, in light of the Swift snafu, the department is investigating Live Nation again.
“If the Department of Justice establishes facts that involve monopolistic and predatory abuses, there ought to be structural remedies, such as breaking up the company,” Blumenthal said at Tuesday’s hearing. “We’ll see what the Department of Justice finds.”
Some senators proposed potential solutions to the problem.
Passed under the Obama administration in 2016, the Better Online Ticket Sales Act (aptly named, the BOTS Act) gives the FTC license to crack down on bot-driven ticket resale firms. Senator Blumenthal and Senator Marsha Blackburn (R-TN) argued that, in the same vein, the FTC needs to pressure Live Nation to figure out its bot problem.
“There ought to be people you can get some good advice from, because our critical infrastructure in this country — whether it is utilities, electric, water, power, banking services, credit card processors, payment processors, healthcare companies — you know what, they get bot attacks every single day, by the thousands and thousands, and they have figured it out but you guys haven’t,” Senator Blackburn said.
The BOTS Act has only been enforced one time since 2016, when the FTC charged three ticket brokers with over $31 million in penalties in 2021.
“We have a limited level of power on something that hasn’t been consistently enforced,” Berchtold testified.
Senator Blumenthal retorted, “You have unlimited power to go to court.”
Senator John Kennedy (R-LA) suggested that Live Nation make tickets nontransferable in order to prevent bot resales. The witnesses were quiet for a moment, and Kennedy said, sarcastically, “Don’t all jump in at once.” The proposal might make simple conveniences difficult, like buying two tickets and sending one to a friend, or selling a ticket if you get sick before a show; plus, it could encourage sales of fraudulent tickets. Groetzinger, who operates a major resale site, said he would not support such a policy; Berchtold said he would.
The committee’s path forward to hold Live Nation accountable is unclear, but the Department of Justice’s investigation of Live Nation is ongoing.

Ticketmaster faces antitrust scrutiny after Taylor Swift ticket chaos

Mexican regulators are fining Ticketmaster after Bad Bunny concert fiasco

Senate questions Live Nation president amid Taylor Swift ticketing debacle by Amanda Silberling originally published on TechCrunch
Senate questions Live Nation president amid Taylor Swift ticketing debacle

Meta expands its partnership with the NBA to offer 52 games in VR

Meta is expanding its partnership with the NBA and WNBA to offer more than 50 live VR games on Meta Quest, the company announced on Monday. Meta Quest is the official headset of the NBA, as Facebook signed a deal with the league back in 2020.
The company will deliver a package of 52 live NBA games, including five immersive 180-degree monoscopic VR games in 2880 on Xtadium and on Meta Horizon Worlds. Meta will also offer a selection of WNBA, NBA G League and NBA 2K League games over the course of the season. In Meta Horizon Worlds, you’ll also be able to access game highlights, recaps and archival content.
Users can visit the dedicated NBA Arena in Meta Horizon Worlds starting today to watch NBA content with friends, compete in interactive minigames and support their favorite teams. Meta says that in the future, fans will be able to watch even more content in the app with an NBA League Pass subscription.
Meta also announced that it’s partnering with the league to launch NBA-licensed apparel in Meta’s Avatar Store in the coming weeks. Users will be able to purchase their favorite NBA or WNBA team apparel for their avatar and showcase it across Facebook, Instagram, and Messenger, as well as on Meta Quest.
“Meta’s immersive VR technology is opening up new opportunities for sports fans to engage and interact with their favorite NBA teams,” said Meta Director of Sports Media and League Partnerships Rob Shaw in a blog post. “Fans will be able to express their fandom by donning their favorite team’s gear on Avatars and enjoy more live NBA games and experience NBA League Pass in a much more social and immersive way.”
The games available in VR on Meta Quest in January include Milwaukee Bucks vs. Detroit Pistons on January 23, Denver Nuggets vs. New Orleans Pelicans on January 24, Denver Nuggets vs. Milwaukee Bucks on January 24, Cleveland Cavaliers vs. Oklahoma City Thunder on January 27, Los Angeles Clippers vs. Cleveland Cavaliers on January 29 and Miami Heat vs. Cleveland Cavaliers on January 31.

Meta’s Quest Store hits $1.5 billion in total revenue to date

Meta expands its partnership with the NBA to offer 52 games in VR by Aisha Malik originally published on TechCrunch
Meta expands its partnership with the NBA to offer 52 games in VR

Netflix founder Reed Hastings steps down as co-CEO

Netflix founder and co-CEO Reed Hastings announced Thursday that he would step down after more than two decades at the company.
While news of his departure comes as a shock, Hastings noted that Netflix has planned its next era of leadership “for many years” in the announcement, which was shared on the company’s blog.
In 2020, Netflix named Ted Sarandos, who has long led content efforts at the company, as co-CEO alongside Hastings. At the time, Netflix characterized the change as formalizing the way that the company was already operating.
Netflix will maintain the co-CEO structure in Hastings’ absence, promoting COO Greg Peters to the tandem role with Sarandos.
“It was a baptism by fire, given COVID and recent challenges within our business,” Hastings said of Sarandos and Peters taking the reins.
“But they’ve both managed incredibly well, ensuring Netflix continues to improve and developing a clear path to reaccelerate our revenue and earnings growth. So the board and I believe it’s the right time to complete my succession.”
Hastings will stay involved with the company as executive chairman of the board, following a precedent shared by other prominent major tech company founders, including Amazon’s Jeff Bezos and Microsoft’s Bill Gates.
The news came shortly before Netflix reported its fourth-quarter earnings. The company beat expectations in Q4, adding 7.7 million subscribers — well over the 4.5 million it anticipated. The company brought in $7.85 billion during the final quarter of 2022, extending its recent trend of slowing revenue growth.
Netflix credited the popularity of content it released in Q4 for the huge subscriber boost, including the “Addams Family” reboot “Wednesday,” the stand-alone “Knives Out” sequel “Glass Onion” and the royals documentary “Harry & Meghan.”
Like most of tech, Netflix’s stock price has fallen well short of previous pandemic highs over the last year, but the company did recover from its midyear lows of $180 a share, trading at $315 before its Q4 report hit late Thursday.
The company introduced an ad-supported subscription tier in November and Thursday’s report offered the first real glimpse into how that new product might shift the company’s fortunes now that streaming’s early pandemic boom times are over. In the report, Netflix called the launch of its lower-cost ad-supported tier a success for Q4 but noted that it had “much more still to do” around the new product.
At CES earlier this month, a Netflix ad executive noted the range of advertisers that the company has already attracted, describing that as a boon for consumers who are eager to offset their monthly costs with a Hulu-like ad-supported subscription.

Netflix adds 2.41M subscribers, soaring past expectations

 
Netflix founder Reed Hastings steps down as co-CEO by Taylor Hatmaker originally published on TechCrunch
Netflix founder Reed Hastings steps down as co-CEO

YouTube rolls out new Partner Program terms as Shorts revenue sharing begins on February 1

YouTube will begin sharing ad revenue with Shorts creators on February 1, the company revealed on Monday. To prepare for the upcoming change, YouTube is starting to roll out new terms for all creators in the YouTube Partner Program. Creators need to accept the new terms by July 10 to remain in the program.
The major change to YouTube’s Partner Program will allow creators to earn money from ads that are viewed between videos in the Shorts Feed. Although the new revenue sharing model will replace the YouTube Shorts Fund, the company says it expects the majority of its Shorts Fund recipients to earn more with the new Shorts revenue sharing model. As previously announced, creators can apply to the program if they meet a new Shorts-specific threshold of 1,000 subscribers and 10 million Shorts views over 90 days.
As part of the new terms, creators need to accept specific monetization modules. The first module is called the “Watch Page Monetization Module” and allows creators to earn money from ads served on their long-form videos and YouTube Premium. The next module is called the “Shorts Monetization Module” and lets you earn money from ads that play between Shorts in the Shorts Feed and YouTube Premium. The last module is called the “Commerce Product Addendum” and is for features like Channel Memberships and Supers.
YouTube recommends that creators accept all of the modules to unlock their full earning potential on the platform. Creators that make Shorts and have accepted the new Shorts Monetization Module will become eligible for Shorts ads revenue sharing on their Shorts views starting next month.
As for how exactly the Shorts revenue sharing will work, it’s a bit complex due to music licensing. Each month, revenue from the ads appearing between Shorts will be added together and used to reward monetizing Shorts creators and cover the costs of music licensing. A portion of the total revenue will be allocated to the creator pool based on views and music usage across all watched Shorts. If a creator uploads a Short without music, all of the revenue associated with its views goes toward the creator pool. If a creator uploads a Short with music, the revenue based on its views will be split among the Creator Pool and music partners based on the number of tracks used.
Next, the creator pool is allocated to creators. YouTube explains that it will allocate revenue to monetizing Shorts creators based on their share of total Shorts views in the Creator Pool. If a creator got 5% eligible views out of all Shorts uploaded by monetizing creators, they will then be allocated 5% of the revenue in the creator pool. Creators will keep 45% of their allocated Shorts revenue. For instance, if a creator is allocated $1,000 from the creator pool, they will be paid $450.
It’s worth noting that non-original Shorts are not eligible for revenue sharing. Non-original Shorts are those that include unedited clips from movies or TV shows, re-uploaded content from other creators on YouTube or another platform, or compilations with no original content added. Shorts that receive artificial or fake views, such as from automated clicks or scroll bots, are also ineligible for revenue sharing.
With these upcoming changes, YouTube Shorts is poised to become TikTok’s biggest competitor. If creators can make more money via YouTube Shorts than on TikTok, they’re incentivized to make original content for the YouTube platform. No short-form video platform has quite figured out how to share ad revenue up until now, which gives Shorts a notable leg up on the competition.

YouTube targets TikTok with revenue sharing for Shorts, Partner Program expansion

YouTube rolls out new Partner Program terms as Shorts revenue sharing begins on February 1 by Aisha Malik originally published on TechCrunch
YouTube rolls out new Partner Program terms as Shorts revenue sharing begins on February 1

What each streaming service has up its sleeve in 2023

Major streaming services have upped their game in 2022 with the launch of ad-supported tiers, new live sports deals, hugely successful original series and more. As the streaming wars continue to heat up, media companies have no choice but to raise the stakes. From the HBO Max/Discovery+ merged streaming service to Netflix’s password-sharing offering, here’s what SVOD (subscription video-on-demand) streaming services have planned for next year and beyond.
What HBO Max/Discovery+ is planning for 2023
Earlier this year, Discovery acquired WarnerMedia to form Warner Bros. Discovery (WBD), becoming one of the biggest media companies in the United States.
As TechCrunch has reported many times, HBO Max and Discovery+ are combining in 2023. This spring, WBD will launch a merged streaming service that pairs HBO originals and Warner Bros. films with Discovery+’s content library of unscripted shows, documentaries and more. In total, subscribers will have access to nearly 200,000 hours of programming and over 100 brands, such as CNN, TBS, TNT, TruTV, Cartoon Network/Adult Swim, Food Network, TLC, HGTV, ID, Animal Planet and many others.
The streaming service will reportedly be called just “Max,” and will make its debut in the U.S. before launching in Latin America and then in Europe in 2024. While there will be an ad-free and ad-supported option, its ad-free offering will likely cost more than what subscribers pay now for HBO Max’s premium plan, which is $14.99/month.
“Max,” or whatever the company decides to call it, will be a major contender in the streaming wars. HBO, HBO Max and Discovery+ ended Q3 2022 with a combined total of 94.9 million global subscribers.
WBD is also busy planning a free ad-supported streaming (FAST) service to keep up with competitors in the FAST market, including Peacock, Pluto TV, Tubi and Amazon Freevee, among others.
Recently, the company pulled over a dozen HBO originals from HBO Max that will soon move to third-party streaming services. This includes “Westworld,” “The Nevers,” “Raised by Wolves,” “The Time Traveler’s Wife,” “Love Life,” “Made for Love,” “Minx,” “Finding Magic Mike,” “Head of the Class,” “FBOY Island,” “Legendary,” “Gordita Chronicles” and “The Garcias.”
We predict that once WBD launches its FAST offering, it will offer these titles.

Combined HBO Max/Discovery+ service gets an earlier launch date, price hike is to be expected

What Netflix is planning for 2023
Netflix had an eventful 2022. The company launched its $6.99/month ad-supported tier, giving consumers the ability to save a few bucks on their streaming habits. The move validates a common trend in the industry right now — ad-supported video-on-demand (AVOD) is in. In 2023, Netflix’s “Basic with Ads” plan is predicted to have 7.5 million domestic subscribers, according to J.P. Morgan analyst Doug Anmuth.
Netflix’s subscriber base also rebounded in Q3 2022 after increasing by 2.41 million subscribers, bringing the total to 223.09 million. The company previously experienced two bleak quarters, losing a total of 1.2 million global subscribers.
As far as we know, the streamer has three notable projects in the works for 2023 and beyond.
In early 2023, Netflix will launch an “Extra Members” feature to monetize password sharing. The feature will prompt account members to pay an extra fee to add a sub-account for people sharing the streaming service.
The company has already launched a “Profile Transfer” feature, which lets a member on an existing account transfer their profile to a brand-new account and a “Manage Access and Devices” feature, which allows account owners to remotely log out of devices they don’t want to be signed in to the account.
Also coming to the streaming service next year is a livestreaming capability, with Chris Rock to be the first to test the offering for his upcoming comedy special. Live content could help the streamer attract new subs.
Unfortunately, Netflix is not planning to launch a live sports offering. During the UBS Global TMT Conference, Netflix co-CEO Ted Sarandos said, “We’ve not seen a profit path to renting big sports.”
Beyond next year, the company is continuing its investment into gaming. At TechCrunch Disrupt 2022, Netflix VP of Gaming Mike Verdu revealed that a cloud gaming offering is on the horizon. This is a smart move for Netflix as the global cloud gaming market had $1.6 billion in revenue in 2021.
Similarly, there’s a possibility that Netflix will get into PC gaming since it’s looking to hire a game director who’ll be in charge of launching a AAA PC game.
Netflix’s mobile gaming library continues to expand. Entering 2023, Netflix will have launched 50 mobile games so far.

Netflix to expand into cloud gaming, opens new studio in Southern California

What Disney+ is planning for 2023
Looking back on 2022, Disney+ experienced a lot of major changes, including the launch of its ad-supported tier as well as the unexpected return of Bob Iger as CEO.
The “Disney+ Basic” plan is $7.99/month and was launched in order to give Disney+ more subscribers. The company wants to reach 230-260 million Disney+ subscribers by 2024. In the fourth quarter of 2022, Disney+ reported 164.2 million global subscribers in total.
However, there is one major issue with the ad launch: Disney+ Basic is unavailable on Roku devices. TechCrunch estimates that Disney and Roku will reach an agreement to change that sometime in late 2023 — but that’s just a guess.
Alongside Disney+’s new subscription plan, the streamer introduced changes to the Disney Bundle as well as a price hike to its ad-free plan.
In November 2022, Bob Chapek stepped down as CEO of Disney and was replaced by Bob Iger, the former CEO, who had only vacated the spot in 2021. Hopefully, Iger can help the company achieve profitability by its fiscal 2024. In Q4 2022, when Chapek was still CEO, Disney’s direct-to-consumer division lost $1.5 billion in revenue.
In 2023, Disney+ is planning an international expansion to 30 additional countries, which would bring the total to over 160 countries. Over the summer, the streamer launched in 42 countries and 11 territories.
Also, beginning next year, Disney+ will be the exclusive international home for new “Doctor Who” episodes.
One significant feature coming to the streaming service is an exclusive shopping experience for Disney+ subscribers. The online shop, which is currently in the testing phase, offers users merchandise from Disney-owned brands, such as Star Wars, Marvel, Disney Animation Studios and Pixar. The company is also reportedly exploring the idea of a membership program similar to Amazon Prime. There are no official launch dates for either feature.

Disney+ launches its ad-supported tier to compete with Netflix

What Hulu is planning for 2023
Not much happened for the Disney-owned streaming service Hulu this year, apart from annoying price increases and losing titles to rival Peacock. The streamer did however reach a milestone of 58 Emmy nominations. Hulu is also beginning 2023 with 47.2 million subscribers.
If you’ve been following the Disney/Comcast spectacle, then you know that Disney is expected to buy Comcast’s stake in Hulu by the end of 2024. Comcast owns 33%, whereas Disney owns 66%. However, when Chapek was still CEO, he alluded in a Variety interview that Disney could buy the rights sooner than that — perhaps in 2023. This depends on if Comcast “is willing to have discussions that would bring that to fruition earlier,” Chapek said.
Whenever Disney ends up buying Comcast’s stake in Hulu — either by 2023 or 2024 — the company may be planning on merging Hulu with Disney+ and ESPN+. “You know the term soft bundle and hard bundle, right? Soft bundle is, hey, buy all three services for the low price of X. The hard bundle is when things become seamless and without friction. Right now, if you want to go from Hulu to ESPN+ to Disney+, you have to go out of one app to another app. In the future, we may have less friction,” Chapek told Variety.
If Disney+, Hulu and ESPN+ were to live inside one platform, many subscribers who already have the Disney Bundle would be overjoyed. While it most likely won’t be a full integration like HBO Max and Discovery+, it will still be an amalgamation of epic proportions. Disney+, Hulu and ESPN+ have a combined total of 235.7 million subscribers.

Hulu raises its subscription prices today

What Amazon Prime Video is planning for 2023
Prime Video had a successful 2022, becoming the exclusive home of the NFL’s “Thursday Night Football,” which had its first game watched by 15.3 million viewers, and its “The Lord of the Rings” spinoff was the most-watched series with over 100 million viewers worldwide. “The Lord of the Rings: The Rings of Power” is confirmed for a second season.
It’s fair to say that Amazon is heavily investing in content and will continue doing so for the next few years. For instance, the streaming service keeps putting money toward live sports. In 2023, the company will be the home of an exclusive NFL Black Friday game, the first Black Friday game for the league.
Amazon may also take a gamble with theatrical movies, according to Bloomberg. The publication wrote that Amazon might begin spending more than $1 billion a year to produce 12 to 15 films that will premiere in theaters before they make their debut on the streaming service. This would be a notable yet expensive gamble for the company, as it has yet to invest this much into original movies.
The streamer has various original series in the pipeline, including the greenlit limited series “Blade Runner 2099,” a “God of War” live-action series and even at least one “Warhammer 40,000” title that will have “Man of Steel” actor Henry Cavill as the lead.
Speaking of DC actors, Amazon is in the process of closing a deal with Warner Bros. to develop animated DC series for Prime Video. At the Content London conference, the Chairman of Warner Bros. Television Group, Channing Dungey, said, “We are in the process of closing a big deal with Amazon that’s going to feature some of our DC branded content in animation.” For HBO Max to share IP, especially DC content, is extremely notable and will likely boost subscription growth for Prime Video.

Amazon acquires film/TV rights to ‘Warhammer 40,000′ IP

As more SVOD streaming services shift to AVOD, we wouldn’t be surprised if Prime Video considers launching a cheaper ad-supported tier. It’s possible that such an offering would pay off big for Amazon. It’s estimated that Netflix will see $600 million in advertising sales in 2023 alone.
The move makes sense for Amazon as it already has an ad-supported service, Freevee. Amazon Prime Video is also testing an ad format called virtual product placement, which the company announced in May.

Amazon Prime Video’s ‘Thursday Night Football’ starts strong with 15.3 million viewers

What Apple TV+ is planning for 2023
Apple TV+ announced its first foray into live sports this year. We suspect Apple TV+ will keep up with the trend in 2023.
In March 2022, Apple TV+ closed its first live sports deal with Major League Baseball, bringing fans “Friday Night Baseball” games as well as a live show “MLB Big Inning.” The company is launching its subscription service for Major League Soccer fans, “MLS Season Pass” in February 2023.
Like Amazon, rival Apple TV+ would benefit greatly from an ad-supported tier. Apple TV+ recently increased its subscription price to $6.99/month or $69/year.

Apple to launch ‘MLS Season Pass’ subscription on February 1

What Paramount+ is planning for 2023
Paramount+ is ending 2022 with 46 million global subscribers, which was mainly driven by the new partnership with Walmart+, which has a reported 16 million subscribers, as well as offering its premium subscription on The Roku Channel and YouTube. More recently, Paramount+ reported a record number of subscriber sign-ups in November when it premiered its latest hit series “Tulsa King,” starring Sylvester Stallone.
Looking ahead, Paramount+ plans to reach 100 million subs by 2024 and increase streaming content spending to $6 billion, up from $2 billion in 2022. It also has plans to expand international growth, which includes 150 international original titles by 2025.
With the release of high-budget films like “Top Gun: Maverick” and Paramount+ continuing to rely on popular IP, the streamer will likely achieve substantial subscriber growth in 2023. Plus, Paramount+ recently launched an in-app Showtime bundle, giving subscribers access to more content.
That being said, a merger between Paramount+ and Showtime is likely imminent. During Goldman Sachs’ Communacopia + Technology Conference, CEO of Paramount Global, Bob Bakish, confirmed that talks of a merger had taken place internally. While a decision hasn’t been made yet, integrating Showtime into Paramount+ would be the best move for the company.
A price increase is also in the future plans for Paramount+. During the company’s third-quarter earnings call, Paramount Global Executive Vice President and CFO, Naveen Chopra, said that “opportunities to increase price on Paramount+” is to be expected.

Paramount+ offers US subscribers in-app Showtime bundle

What Peacock is planning for 2023
Peacock had a big win in 2022 as it doubled its number of paid subscribers to 18 million this year alone. This was mainly thanks to NBC and Bravo next-day episodes that it pulled from Hulu earlier this year. Peacock was also the Spanish-language streaming home for all World Cup games.
In terms of other content coming to the streaming service in 2023, Peacock will premiere the “John Wick” prequel series, “The Continental,” as well as original series like “Poker Face,” starring “Russian Doll” star Natasha Lyonne. The streamer also recently announced its first original adult animation series, “In the Know,” which will feature “Beavis and Butt-Head” creator Mike Judge and “Silicon Valley” actor Zach Woods.
Beginning in 2023, Peacock will be the exclusive streaming partner of JetBlue, marking a notable deal that will broaden its service to more subscribers.
While things are looking up for Peacock next year, some non-paying subscribers might be very disappointed in the next 12 months or later. NBCUniversal CEO Jeff Shell stated that “at some point” the company wants to convert Xfinity users to paid subscribers of Peacock. This means customers of Comcast’s Xfinity cable and internet services might not be able to get the streaming service as a free perk anymore. However, this move would make sense for Peacock since 30 million monthly active users can access the streaming service at no additional cost.

Peacock adds live TV from all local NBC stations to its Premium Plus tier

What each streaming service has up its sleeve in 2023 by Lauren Forristal originally published on TechCrunch
What each streaming service has up its sleeve in 2023