Архив рубрики: Apps

Mark Cuban-backed streaming app Fireside acquires Stremium to bring live, interactive shows to your TV

Mark Cuban-backed streaming app Fireside, which today offers podcasters and other creators a way to host interactive, live shows with audience engagement, will soon expand to the TV’s big screen. Variety reported, and Fireside confirmed, it’s acquired the open streaming TV platform Stremium, which will allow Fireside’s shows to become available to a range of connected TV devices, including Amazon Fire TV, Roku, smart TVs and others.
Deal terms were not disclosed. Cuban retweeted Variety’s reporting but made no other public comment.
A company spokesperson confirmed the deal to TechCrunch, noting it was for a combination of IP and talent.
“Fireside has acquired all of Stremium including its full team and intellectual property,” the spokesperson said. “The company is the first interactive web3 streaming platform and the acquisition will help Fireside accelerate delivering on being the only platform that turns creators, celebrities, brands, and IP owners into the studio, networks, and streaming services of the future. Expect other major announcements coming soon on this front,” they added.
Launched just over a year ago, Fireside arrived on the heels of the pandemic-fueled demand for startups offering live entertainment as well as a growing number of startups catering to the creator economy.
Despite some early — and erroneous — comparisons between Fireside and other live audio platforms like Twitter Spaces or Clubhouse, the startup gained traction due to a differentiated feature set that also prioritizes video content. Shows on Fireside’s platform could be streamed live to its app, recorded, saved, or even simulcast to other social networks. The app additionally includes audience engagement tools and other features to aid creators with promotion, editing, measurement, distribution, monetization, and audience growth, all of which are part of Fireside’s end-to-end content production experience. More recently, the company had been exploring web3 technologies, including NFTs.
Co-founded by Cuban, early Yammer employee Mike Ihbe, and former Googler, YouTuber and Node co-founder Falon Fatemi, who sold her last company to SugarCRM, Fireside has managed to attract some high-profile creators like Jay Leno, Michael Dell, Melissa Rivers, Craig Kilborn, and screenwriter and Entourage creator Doug Ellin over the past year.
In a letter to Fireside investors published by Variety, Fatemi shared that the Stremium acquisition would help Fireside to offer a “second screen experience where the audience can use their phones to engage and interact in real-time while watching on their TVs.”
“Imagine watching a live cookalong show with your favorite chef simultaneously on your TV and your phone where you can interact and get invited to talk directly to them and even show them what you are cooking from the palm of your hand,” Fatemi explained. Plus, Stremium’s infrastructure would allow creators to upload, publish, program and distribute their live shows across both mobile and TV, she added. (Stremium confirmed to us the letter’s accuracy.)
TechCrunch this February reported Fireside was in talks to raise a $25 million Series A that valued its business at $125 million. That round has since closed, but Fireside hasn’t yet made a formal announcement about raise, investors, or its valuation. We understand this may be because Fireside is still adding some additional strategic investors to the deal, and it plans to detail the fundraise soon. Of course, the funding may have helped pave the way for Fireside to make this new acquisition.
Other investors in Fireside include the Chainsmokers, HBSE, Goodwater, Animal Capital, and NFL stars Larry Fitzgerald and Kelvin Beachum and former NBA star Baron Davis, in addition to Cuban. Ahead of its Series A, Fireside had raised around $8 million.
Stremium had been developing a service that allowed consumers to aggregate all their favorite channels using their “TV Everywhere” credentials and use a cloud DVR instead of downloading separate streaming apps. It also included a selection of free streaming channels. But the service faced an increasingly competitive landscape where there are now numerous ways to watch free streaming content, like Tubi, Pluto TV, The Roku Chanel, Freevee (formerly IMDb TV), Plex, and more. Meanwhile, cord-cutting is accelerating leaving fewer people with cable TV logins for Stremium to market its services to.
The Stremium website is now pointing visitors to Fireside and confirms the acquisition. Fireside is aiming to release its TV product sometime next year as a result of the deal.
 
 
 
Mark Cuban-backed streaming app Fireside acquires Stremium to bring live, interactive shows to your TV by Sarah Perez originally published on TechCrunch
Mark Cuban-backed streaming app Fireside acquires Stremium to bring live, interactive shows to your TV

Netflix is bringing back Stranger Things: Puzzle Tales with new gameplay

Netflix is bringing the Stranger Things: Puzzle Tales game to its platform with new gameplay based on the content from Season 4 of the show. Users will be able to play as new characters features in Season 4 in this no-ads game as the company continues its push toward gaming.
Users have to solve puzzles in this game to beat enemies like Demogorgons and other supernatural monsters. In the process, they can collect up to 50 versions of characters from the show. The company describes the game’s graphics as “nostalgic 1980s Saturday morning cartoon art style.”

Stranger Things: Puzzle Tales was first released in 2021 and it was removed from the App Store and Play Store in August after Netflix acquired the game’s publisher for $72 million. At that time, the streaming service announced that it is working on revamping the game and moving it to Netflix exclusively.
Users can download the updated game starting today using this link. This release of the title joins other Stranger Things games like Stranger Things: 1984 and Stranger Things 3: The Game.
The game also builds on Netflix’s efforts to let fans engage with the show in various ways. Earlier this year, the streaming company partnered with Reddit for Stranger Things-based customized avatars and teamed up with Spotify for personalized playlists.
At TechCrunch Disrupt, the company’s VP for gaming Mike Verdu said that Netflix is exploring avenues to get into cloud gaming. He added that the streaming giant is also opening its second gaming studio in California after establishing its first studio in Helsinki in August. The company also launched game handles that can be used across exclusive titles in September.
While the company is putting a lot of effort into making gaming a success, it hasn’t seen stellar results. According to a report from Apptopia published in August, Netflix games were only averaging 1.7 million daily users. During its Q3 2022 earnings, the company announced that it now has 223 million subscribers.
Netflix is bringing back Stranger Things: Puzzle Tales with new gameplay by Ivan Mehta originally published on TechCrunch
Netflix is bringing back Stranger Things: Puzzle Tales with new gameplay

YouTube redesign gives long-form videos, Shorts and Live videos their own tabs on channel pages

YouTube is rolling out a change impacting how videos appear on its platform. The company today announced a redesign that now splits video content into three different tabs on all channel pages — one for YouTube’s traditional long-form content, another for YouTube Shorts only and a third for Live videos, including past, current and upcoming livestreams.
The changes will allow users to more easily access the types of YouTube videos they want to watch — a move YouTube says it made based on user feedback. In an announcement, the company said it heard from viewers they wanted to be able to navigate to the kinds of content they were most interested in when exploring a creator’s channel page, leading to this makeover.

you heard correctly we’re beginning to roll out Videos, Shorts, and Live tabs so you can easily explore these different kinds of content on YouTube
more info here: https://t.co/BaXQnQVUcR https://t.co/8XCdpr7HAH
— TeamYouTube (@TeamYouTube) October 27, 2022

The update also means that Shorts content and Live streams will no longer be found in the main Videos tab on the channel page — something that could appeal to longtime YouTube viewers who haven’t appreciated the infiltration of YouTube’s short-form content into their favorite channel’s video feed in recent months.
However, for those who do like watching Shorts, the redesign gives YouTube a way to direct them to more short-form videos. Now, when users are watching Shorts videos in the Shorts feed in the main YouTube app, then navigate to the creator’s channel, they’ll be sent directly into this new Shorts tab to watch even more Shorts content. This could help YouTube boost its views for Shorts as those users will no longer be immediately lost to the creator’s long-form content, as before.
Initial feedback from users on Twitter responding to YouTube’s post about the changes has been positive, as users are expressing their appreciation for giving each type of content its own separate category.
Image Credits: YouTube
The redesign follows another major update to YouTube this month which introduced, at long last, YouTube handles in the @username format. These usernames will now allow creators to identify their channel and interact with their viewers across YouTube Shorts, channel pages, in video descriptions, in comments and more.
YouTube says the tabbed redesign is rolling out starting today and will be available to all users across all devices in the weeks ahead.
 
YouTube redesign gives long-form videos, Shorts and Live videos their own tabs on channel pages by Sarah Perez originally published on TechCrunch
YouTube redesign gives long-form videos, Shorts and Live videos their own tabs on channel pages

Disney+ and Star+ relaunch as native apps on PlayStation 5 for users to stream in 4K

Disney+ today relaunched as a native app on PlayStation 5 (PS5) consoles, which now supports PS5 capabilities like 4K HDR (High-Dynamic Range) streaming. The company also relaunched Star+, Disney+’s streaming service for Latin American subscribers.
PS5 users experienced various issues with the old Disney+ app, which was designed for PS4 compatibility. Subscribers reported crashes, log-in errors, poor video playback and poor sound quality. Hopefully, the new native PS5 app won’t have the same issues.
Also, Disney+ and Star+ subscribers could only stream content at 1080p resolution on the console. As of today, PlayStation5 users can experience higher video quality at no extra cost. Other streaming services like Netflix and YouTube TV charge subscribers a higher fee for 4K content.
“The ability to support 4K HDR video streaming on the platform will also improve the viewing experience for fans,” said Jerrell Jimerson, EVP of Product & Design, Disney Streaming, in a statement.
Star+ launched in 2021, and is a standalone streaming service in Latin America that offers entertainment content from Disney, FX, 20th Century Studios, Star Original Productions, National Geographic and more. It also streams live sports from ESPN.
The streamer is available in Argentina, Brazil, Bolivia, Chile, Colombia, Costa Rica, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Peru, Panama, Paraguay, Uruguay and Venezuela.

Disney will fuel international growth with Star brand and Star+ app

Disney+ and Star+ relaunch as native apps on PlayStation 5 for users to stream in 4K by Lauren Forristal originally published on TechCrunch
Disney+ and Star+ relaunch as native apps on PlayStation 5 for users to stream in 4K

Regie secures $10M to generate marketing copy using AI

Regie.ai, a startup using OpenAI’s GPT-3 text-generating system to create sales and marketing content for brands, today announced that it raised $10 million in Series A funding led by Scale Venture Partners with participation from Foundation Capital, South Park Commons, Day One Ventures and prominent angel investors. The fresh investment comes as VCs see a growing opportunity in AI-powered, copy-generating adtech companies, whose tech promises to save time while potentially increasing personalization.
Regie was founded in 2020 by Matt Millen and Srinath Sridhar. Previously a software engineer at Google and Meta, Sridhar is a data scientist by trade, having developed enterprise-scale AI systems that detect duplicate images and rank search results. Millen was formerly a VP at T-Mobile, leading the national sales teams (e.g., strategic accounts and public sector).
With Regie, Sridhar says he and Millen aimed to create a way for companies to communicate with their customers via channels like email, social media, text, podcasts, online advertising and more. Because companies have so many platforms and mediums at their disposal to speak with customers, he notes, it can be a challenge for content marketers to produce continuously compelling content to reach their customers.
“The way content is getting generated has fundamentally changed,” Sridhar told TechCrunch in an email interview. “Marketers and copywriters working in the enterprise … increasingly [need] to produce and manage content and content workflows at scale.”
Regie uses GPT-3 to power its service — the same GPT-3 that can generate poetry, prose and academic papers. But it’s a “flavor” of GPT-3 fine-tuned on a training data set of roughly 20,000 sales sequences (the series of steps to convert prospects into paying customers) and nearly 100 million sales emails. Also in the mix are custom language systems built by Regie to reflect brands and their messaging, designed to be integrated with existing sale platforms like Outreach, HubSpot, and Salesloft.
Image Credits: Regie
Lest the systems spew problematic language, Regie says that every system goes through “human curation” and vetting before being released. The startup also claims to train the systems on “inclusive” language and test them for biases, like bias against certain demographic groups.
Customers can use Regie to generate original, optimized-for-search-engines content or create custom sales sequences. The platform also offers blog- and social-media-post-authoring tools for personalizing messages, as well as a Chrome extension that analyzes the “quality” of emails that customers send — and optionally rewrites the text.
“Generative AI is completely disrupting the way content is created today. The biggest competitors of Regie would be the large content authoring and management platforms that will be completely redesigned AI first going forward,” Sridhar said confidently. “For example, Adobe’s suite of products including Acrobat, Illustrator, Photoshop, now Figma as well as Adobe Experience Cloud will start to get outdated as Regie continues to build on an intelligent content creation and management platform for the enterprise.”
More immediately, Regie competes with vendors like Jasper, Phrasee, Copysmith and Copy.ai — all of which tap AI to generate bespoke marketing copy. But Sridhar argues that Regie is a more vertical platform that caters to go-to-market teams in the enterprise while combining text, images and workflows into a single glass pane.
“Generative AI is such a paradigm shift that not only productivity and top-line of companies will go up as a result, but the bottom line will also go down simultaneously. There are very few products that can improve both sides of that financial equation,” Sridhar continued. “So if a company wants to reduce costs because they want to assimilate sales tools, or reduce outsourced writing while simultaneously increasing revenue, Regie can do that. If you are an outsourced marketing agency looking to retain more customers and efficiently generate content at scale, Regie can definitely do that for agencies as well.”
The company currently has more than 70 software-as-a-service customers on annual contracts, including AT&T, Sophos, Okta and Crunchbase. Sridhar didn’t reveal revenue but said that he expects the 25-person company to grow “meaningfully” this year.
“This is a revolutionary new field. And as always, adoption will require educating the users,” Sridhar said. “It is clear to us as practitioners that the world has changed. But it will take time for others to get their hands dirty and convince themselves that this is happening — and that it is a very positive development. So we have to be patient in educating the industry. We also have to show that content quality isn’t compromised and that it can perform better and be maintained more consistently with the strategic application of AI.”
To date, Regie has raised $14.8 million.
Regie secures $10M to generate marketing copy using AI by Kyle Wiggers originally published on TechCrunch
Regie secures $10M to generate marketing copy using AI